<![CDATA[Glittermouse Visual Arts - CRITblog]]>Sun, 13 May 2012 18:24:11 -0800Weebly<![CDATA[Fourth Meeting]]>Thu, 26 Apr 2012 01:57:58 -0800http://www.glittermouse.co.uk/2/post/2012/04/fourth-meeting.html Six months since the seminal meeting, MadLab felt very much like ‘home’ for the fourth group meeting. Five of us came along this month and there were plenty of varied projects to cover with some interesting debates being generated in many cases.

James Pashley started by sharing the exciting news that he has now confirmed an offer of employment working as a teaching assistant in Japan! He will be working as part of a cultural exchange programme to support English teaching beginning in late July or early August. While his insights and contributions will be missed in meetings, we are all looking forward to seeing his new website, which we briefly discussed, and to hearing updates on his experiences via his new blog. Meanwhile I am wondering if this means we can now label CRITgroup as an international art collective…!

Christine Wilcox-Baker who joined us for the first time last month to tease us with a hint of her work in the areas of art and gardening then shared details of what sounds like a very exciting and potentially high profile project working with the Cheshire Gardens Trust. The Caldwell’s Nurseries Project will be creating a garden at the RHS Tatton Flower Show in July for which Christine has designed a 3.3m by 4.5m sculptural stainless steel gazebo and a mosaic. The garden will reference the King Canute legend about how Knutsford came to be named as well as raising awareness of the Trust’s project to record written and oral histories relating to the historic Caldwell’s Nurseries. The conversation turned to a discussion of the benefits of voluntary projects, which whilst being carried out ‘for the love of it’ can still be very demanding. It was agreed that the networking opportunities and CV building potential of such projects was very valuable, however, there are also times where paid employment becomes a priority! We also talked about the onerous task of seeking sponsorship (easier if linked to a charity),  ways of promoting events and ideas for getting national press coverage (including the pros and cons of inviting a range of celebrities to your opening!). The RHS Tatton Flower Show is open to the public from the 18th to the 22nd of July and I look forward to both a visit and to sharing photos of Christine’s gazebo!

Kevin Linnane - Castlefield 064
This month, Kevin Linnane brought along some photos he has taken for display as part of a project with MMU for the new childrens’ hospital being built in Manchester. Each of the floors in the new building will be themed and Kevin has responded to the ‘Manchester Explored’ areas from the starting point of linking Manchester to its extensive canal network. His photographs depict various areas around the canals in Manchester with the common element that they have all been taken reflected in the canal; many of the images have become abstract as a result. The group agreed that the textural effects of water as well as the unusual angles and subtle use of colour produce a series which not only respond well to the theme but perhaps more importantly demonstrate an awareness of audience. Comments included recognition of the calming nature of water and the suggestion that an abstract composition provided a greater opportunity for sick or bed-bound children to use their imaginations than more conventional imagery.
James Sharp brought along some of his textile journals for us to see and perhaps what is more important with his work, to hold, open and flick through! After a brief discussion of possible practical applications (James has also produced re-usable book covers and a way of making binders from plastic wallets) it was fairly unanimously agreed that the main value of the books is simply as art objects or, more accurately, artist’s books. Whilst James reported that his High Peak journals were selling well he also recognised that most of his work came in as commissions for a variety of objects from laptop covers to shopping bags. It was suggested that it would be worth pursuing display in Artist’s Book exhibitions as well as his current representations in Chapel En Le Frith and Bermondsey. James also offers tours of his garden and studio and expects to be involved in the RHS Tatton 2013 Flower Show with the Creative Recycling Gallery (there are a lot of green fingers in CRITgroup it seems!)

James Sharp showcases his textile journals

Glittermouse - Mmm... 2012 - 30 x 30cm Acrylic on Canvas

Glittermouse - Mmm... 2010 - Digital image
I then attempted to wrap up quickly (so much for that!) and shared my latest painting. I explained to the group that the series had begun in 2009 with a set of digital images developed from photographs inspired by my new urban environment (having just moved from London to Manchester).  The images especially looked at graffiti and explored this as a method of ‘claiming’ or ‘marking’ urban spaces (an interest which can then be linked right through to my recent work in areas of a more social practice) and were combined digitally with scans of drawings I had made during a live installation. From these I then selected four compositions which I developed into painted canvases (well, number 2 is now complete). I initially showed the group the photos of the paintings but it soon became clear that it was necessary to show the digital versions too. This then raised some interesting questions and debate around the relationship between process and outcome, how important this is to the viewer and the perception of comparative levels of skill involved in traditional and digital media. I found this quite exciting as it seemed to be the first time in the group that we’d actually unearthed some differences in opinion (very civilly conducted, it goes without saying!).

I then shared the most recent (and final) photographs from the Hulme Workshops series and briefly discussed my hopes for the future of the project before finally gathering feedback from the group on their experiences completing mocks of the proposed This Place Is booklets (another project seeking to harness interactivity and sharing to positively impact on how people feel about their environments). 
The group agreed that whilst time may be a prohibitive factor in getting the booklets done, it had stimulated emotional responses, reflective thought and awareness of alternative perspectives on the chosen locations, all of which had made it a positive experience. It was also suggested that it would be a good idea to make a digital version available for greater flexibility in formatting the layout while some people would prefer a paper based approach. I’ve certainly come away with plenty to reflect on and respond to myself and while I hope to make steady progress on these projects I am also aware that it may take time to get right.

This Place Is contributions from CRITgroup members
The next CRITgroup meeting will be on May 23rd (continuing at MadLab) and I hope soon to confirm and publish the subsequent dates running up to the end of the summer. We also agreed that it would be a good idea to plan a series of topics or themes for discussion as well as potentially inviting some guest speakers so I hope to have some more news on those proposals next month.
]]><![CDATA[February 2012 - Third Meeting]]>Wed, 22 Feb 2012 16:34:04 -0800http://www.glittermouse.co.uk/2/post/2012/02/february-2012-third-meeting.htmlWe met at MadLab again this month, which continues to be an ideal venue. More people attended this time too so we over ran a bit but that didn’t seem to be a problem and there was another group still using part of the building when we left; good to know for the future if numbers increase at any point!
James Pashley began by sharing some display sheets from his recent MA submission. These suggested opportunities for play in various urban settings including city centres and residential streets. James’ work is based on research into Mitsuru Senda (amongst others) and especially references Senda’s work on ‘circulatory play systems’ as methods of facilitating play. James attempts to show that these don’t have to be restricted to parks and can be found in existing urban environments. Discussion moved on to the potential future development of the work, which as well as a desire to design a new website and business card includes a joint mapping project in Manchester that would seek to identify existing play opportunities and communicate these in a format suitable for distribution through tourist information points. That is if he doesn’t fly off to teach in Japan first!

James and Juan review business card inspiration

I then received a lot of constructive criticism for a two further mock-ups that I generated in the on-going development of a This Place Is Book (see last month’s entry). The discussion raised a lot of questions, possibilities and considerations which will take some time to fully digest but a key point was that in its current format it is not quite striking the right balance between seeking personal insights and factual accounts from participants and that this needs reviewing, though the best way to achieve this is not instantly obvious.  It was then suggested that group members could each take a copy of the distributed mock-ups to complete as a ‘dummy run’ in order to try and generate a better idea of what changes to make. This was of course a really helpful suggestion so I am looking forward to seeing the contributions from the group as well as the feedback on the project that will be inherent in those.

group members; mid discussion

James Sharp shared some very positive updates on his practice which has recently seen his work accepted by 5 galleries and craft shops around the UK. He has found that targeting his hand made journals to specific places is popular with curators and identifies this as key to increasing his exhibition and sales opportunities. This led indirectly to an interesting discussion about the differences between ‘Art’, ‘Design’ and ‘Craft’ which could probably have taken up the entire evening in itself but we agreed that whilst creating boundaries between disciplines isn’t always helpful, ‘Design’ is generally concerned with a justifiable or measurable outcome while ‘Art’ tends to be a bit freer and ‘Craft’ takes a position somewhere in between the two. Apologies if I have over-simplified that bit of the discussion!

We were also joined this month by Juan Armellini, Kevin Linnane and Christine Wilcox-Baker who contributed to the discussions but did not specifically bring projects this time. We did however hear a brief yet tantalising introduction to Christine’s work since her MA in Art and Landscape and a hint from Kevin that there may be some photographs from Winter Solstice at Stonehenge to see in the near future so I’m certainly looking forward to reporting more on those projects in the next update!

I ended on a quick introduction to the tool I use to build my (this!) website, www.weebly.com. Whilst I’m aware there are many ways to go about getting a site live these days these aren’t always as intuitive as one might hope so hopefully that served to clarifiy one or two things in some areas at least. It was certainly a good opportunity to test out the MadLab Wifi and projector; another good reason why I hope to organise the next meeting in the same space soon so check back in the next couple of weeks for the next confirmed date!

]]><![CDATA[Second Meeting]]>Wed, 25 Jan 2012 14:02:17 -0800http://www.glittermouse.co.uk/2/post/2012/01/second-meeting.htmlI was particularly excited about the opportunity to meet at MadLab this month as I have attended events there before and know it as a very creatively nurturing space. It was unfortunate that not many people could make it along this evening for various (pretty good) reasons so I'm hoping that numbers pick up again soon and we can keep going. Not to start off on too much of a downer however, those of us who did attend, all left agreeing that it had been useful to meet so that's still pretty encouraging.

Tammy Leigh returned and briefly shared some developments in her range of knitted wire jewellery which involved the inclusion of semi precious stones threaded onto the wire. Following on from her presentation of some pieces made using recycled materials at the previous meeting, we spoke more about this aspect of the work. During that discussion, we arranged for her to visit my students at Tameside College next week to talk with them about using recycled materials in their own work.

I then asked people to look at some mock-ups I had made following suggestions at the previous meeting for the This Place Is book; a development from This Belongs To and a series of workshops run in Hulme. It was agreed that although I had probably done a reasonable job at being clear and concise in terms of the content, I probably hadn't allowed enough space for people to record more personal reflections. We then chatted a bit about possible tweaks to that and eventually came to the conclusion that I might in fact be looking at two projects, one formatted as booklet to hand out to people (probably locally) and eventually compiled into one volume and one printed more carefully to send further afield but to more specific locations. This seemed to make sense and I have since realised that the booklet format might also work really well in a workshop so there are more possibilities for developing those avenues too.

Juan Armellini also joined us for the first time and spoke about his experiences using blogging sites to build an online portfolio. We discussed the format of blogs as opposed to other kinds of web pages and I suggested that a blog might not be the most flexible format for his purposes. We also talked a bit about how the design of the site must 'agree' with or support the content. Having previously helped Tammy with her site, I suggested that at the next meeting I could spend a bit of time with the laptop showing people how I build mine (very simply) using a browser based system not dissimilar from many blogging sites. We agreed that might also help give the session a bit more structure so that has become the plan.

I have since spoken with the very supportive people at MadLab who have agreed we can use the space next month so we will next meet at 7pm on Wednesday February 22nd (2012) at Madlab, Manchester (36 - 40 Edge Street, Northern Quarter). We will begin with an informal sharing of practice and then for the last 30/45 minutes or so I will demonstrate how I build my website. If you fancy coming along but are not already on the mailing list, please drop me a note using the contact form on the main page and I can be sure we make time for everyone! Hope to see you there!
]]><![CDATA[First Meeting]]>Wed, 02 Nov 2011 08:36:28 -0800http://www.glittermouse.co.uk/2/post/2011/11/first-meeting.htmlThe first Meeting of CRITgroup got off to a good start with six people attending. James Pashley got the ball rolling by sharing his recent investigations into  play environments. As a landscape design graduate with a new-found direction in 3D Design, his work looks at how play could once again be encouraged in the streets by suggesting structures and interventions for urban environments which would tempt both children and adults out of the car and back into enjoying the journey on foot. He spoke about how his work had been focusing on the research for a while but that this was now shifting back to a more project based approach and discussion then moved on to how our perception of environments affects our use of space.

Tammy Leigh then shared some photos of her hand made jewellery. The group agreed that she deserved to be far more confident in sharing them, as there were some genuinely exciting pieces involving knitting with wire. The group shared some ideas for promoting the work and the importance of wearing your own pieces when at a public event such as a stall or workshop!

John Quinn, sculptor, spoke with enthusiasm about his recent rediscovery of material properties since occupying a space at Cow Lane Studios in Salford, following a long break from making. Photos of his work conjured a discussion of tension and form and he spoke about the benefits of working in a studio space, especially when producing large scale pieces.

Kevin Linnane, photography tutor and postgraduate student, presented his recent explorations of Modernist views of cities, through photographs of Coventry. He discussed an interest in the myths of and interactions with cities and spoke about how his work had developed from an earlier body of work concerned with the location of an urban Green Man. This brought the topic of conversation back on to a discussion of our environmental perception and how this can affect the lives of city residents.

James Sharp then shared some examples of his textiles pieces, especially a collection of art journals titled Bibliophilia. Though the journals are designed so that they can be used as diaries or sketchbooks, many members of the group felt that they were enjoyable just to have as objects too. James also brought along some examples of his other work including the Stuff Stash, a textile wall hanging with additional capacity to store or display household items. This brought the discussion on further to making work commercially viable and James especially recommended using online methods to make sales.

I then tried to wrap up with (what I hope was) a brief summary of my recent practice and how I was hoping to develop my work following the completion of the MA. I especially benefited from sharing one idea I had been mulling over; that of a series of blank template books which would require users to research and share aspects of their local area. It was suggested that instead of producing multiple copies that it might be successful to have one book with several sections which could better facilitate a sharing of the content.

A very successful first meeting, but we did feel that the venue was a little noisy, so not to be ungrateful to our hosts at Odder Bar, it will be my job to hunt out an alternative space for the new year (we're skipping December as too many people have other commitments!)

Check back in January!
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