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Summer Workshops and More

28/8/2012

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Rapidly approaching the end of yet another ‘blink and you’ll miss it’ summer, this really is the end of the road for the holidays as I return to work this week. Just as well really as there will be a new group of first year Level 3 Art and Design students demanding my full attention in less than a week and I have but three work days left to prepare for them!

It’s been a busy summer on many fronts as I push forward with key aspects of my practice as well as wrap up and move on from a couple of other projects. On the 26th of July I visited the Wythenshawe Games Festival where I was pleased to run an updated version of a previous workshop which encourages participants to reflect on their local areas whilst learning and developing craft techniques. Last time I ran something similar the workshop was titled My City Would Be Better With and focused on aspects of the locale that could be improved. This time round, with so much celebration of all things British going on left, right and centre, it seemed only appropriate to re-title it The best Thing About My City Is and I took a different stance by asking prospective crafters to think about things that were already deserving of recognition. The workshop was well received, with queues out of the door and some disappointed later arrivals, so it is with optimism that I look forward to my next appointment in Wythenshawe; a glass painting workshop at the Garden City Festival on September the 15th.

The Best Thing About My City Is
Craft Outcome from The Best Thing About My City Is...
This Place is Deansgate
That was not the only workshop of the summer and I have now really got the ball rolling on This Place Is, a new interactive project aiming to provide a platform for people to reflect on and share their favourite (or at least most noted) places. It was a genuine pleasure to re visit the Hulme History Society this month and it has been with them that the first more formally completed This Place Is booklets have been produced. There are now two finished contributions in the dedicated gallery with more on the way from those who felt that they needed just a little more time. I’m really looking forward to receiving up to five more booklets from members of the society as I have already seen the content of many of the pages and know that they will contain some real gems. This Place Is will continue to grow and develop through September when I visit some more old friends at Venture Arts to work on new booklets with them. With two workshops planned at their studio, I’m hoping for lots of creative responses to add to the galleries before long. I am also planning a couple of public workshops as part of Nexus Art Café’s SketchCrawl programme and these will opportunities for people to get involved by using the Placemaking Boards and This Place Is booklets. Sunday October 28th is provisionally booked in for the first of those so drop me a quick message if you’d like further details.

Anyone who has been keeping up with my recent posts will remember me mentioning a series of canvases that I started in the summer of 2009 but which were temporarily abandoned while I completed an MA in 3D design. Though I couldn’t justify taking the time out to paint during that period, the paintings are still loosely related to many of the same themes (interaction with urban spaces) and grew directly from the same research sketches as the installation series, which can be found a little way down the Sketchbook page. I have now completed the fourth and final canvas; Shunk (50x50 cm, acrylic on Canvas). Though I don’t have any immediate plans to produce more paintings or develop this work further, the series did raise some interesting questions and while I really should be focusing on more fundamental aspects of my practice I can’t help feeling that it won’t *quite* be as final as that in reality. Other paintings in the series can be found in blog pages categorised under 'other work'.

Picture
Shunk 2012, acrylic on canvas, 50x50cm
Other little bits of news include the continued existence of CRITgroup which has kept itself up though out the summer. Attendance has been a little more sparse than I might have liked but with speakers lined up for September and October I’m hoping that it’ll pick up a bit when everyone is back from their summer breaks.

Last but not quite least, (and this doesn’t seem like entirely the right place to share my final update but it’s also quite fundamental to my long terms plans and philosophies on creativity generally) last year (after finishing the MA) I enrolled on an evening course to re sit my GCSE Maths. I had multiple reasons for doing that, not least of which was a growing desire to prove wrong anyone who had ever hinted, asserted, assumed or stated that if one is capable in areas of visual arts that one must be necessarily less able in areas perceived to be unrelated (or vice versa). I didn’t complete the full GCSE courses when I was at school because I experienced health problems during much of the last three years of Secondary education and despite gaining A-C grades in everything else, only managed a D in Maths. When I enrolled, I was placed onto the Foundation course (you can achieve grades F-C on the exam) but was moved onto the Higher paper after a few months (meaning it is possible to be awarded A-D) and was predicted to achieve a B. Despite wondering what the hell I was doing on more than one occasion, I managed to bend my brain around various totally new concepts and can only describe myself as being utterly shocked to discover last week that I had in fact managed to achieve an A grade. This should have prepared me well for my next educational project; I am hoping to enrol on an Astronomy course in the next few weeks. Some of my other reasoning for re sitting the Maths might now be a bit more self-explanatory and I hope to eventually tie in more instinctive visualisation skills with my learning in that area. That, however, is a little way off for now and must remain to be seen…

More updates soon; until then, I think it’s time to pack away the sun cream…

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Arts through the summer...

25/7/2012

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Far from winding down for summer things have in fact been just as busy as ever on the arts front so far!

Though the I Hope To See exhibition came out of Nexus on July 4th,  the very next week all 6 photos (and 44 more!) were whisked off to the other side of Manchester where they are now on display at Rolls Crescent Primary School.
Rolls Crescent Display
I Hope To See on display at Rolls Crescent Primary School
Rolls Crescent Display
It’s much more appropriate that they end up there as they can now be enjoyed by the children who participated in the workshops and who were no doubt pleased to show off their work at the recent parents evening. I was also delighted to join an important prize giving assembly at the school on what turned out to be a very lucky Friday 13th for some pupils who not only received certificates to reward them for their ideas but also copies of a smart brochure containing all the photos for both classes.
A Scene From the East and West
Scenes from the East and West of the Mancunian Way
The following week saw the first opportunity to get the This Place Is brochures out and working.  A collaborative event organised through CRITgroup, a few of us met in Manchester to take a reflective tour of the Mancunian Way. As well as a series of activities provided by Kevin Linnane designed for interacting with the environment, participants were asked to use This Place Is booklets for recording their responses to the space. The workshop ran for about 3 hours and the contributions are recorded in the This Place Is Public Gallery. It’s always interesting to discover the reality of a participative project (no matter how flawlessly it runs in your head!) and needless to say I have not been disappointed by the responses so far. So many interesting stories and visual records came out of such a seemingly limited space and time and it’s probably just as well that I am able to report that I also enjoyed completing my own booklet!  None of that of course, is to undermine the activities set by Kevin; I certainly didn’t expect to spend Sunday afternoon dowsing next to a motorway and I think I shall be eternally grateful for my reintroduction to the largely forgotten art of wax rubbing! All the contributions to This Place Is are now live for browsing so head on over if you fancy discovering just how inspirational a dual carriage way really can be!

This has all been happening over and around a new job that I took on last month. I am now delivering arts workshops on Saturday afternoons at the brand new Blackburn Youth Zone. The centre was featured recently on North West Tonight and really is a stunning facility for young people. I’ve been really enjoying using the space, getting to know new colleagues and having an opportunity to share my love for visual arts in an alternative environment to formal educational contexts. There are always one or two people who, for various reasons, don’t get on with the structure or pace of Further Education Courses and it’s good to know that I might be part of a different solution for a wider range of people.

Despite all the busyness I have still managed to find time to complete the third canvas of the outstanding series of four (a quadtych!?) that I began in 2009 before starting the MA. The (delightfully titled) Suck My Ballsack is 50x50 cm and is acrylic on canvas. The series is loosely related to many of the same themes as the installation series, and some of the initial sketched can be found a little way down on the Sketchbook page.

This evening we have a special guest at CRITgroup who will be taking about his recent work in Hong Kong and tomorrow I am off to deliver two workshops; painting on glass and then on metal  at the Wythenshawe Games 2012. I’ll expect to be posting updates on both of those events (Check CRITblog for details of CRITgroup meetings) and with further This Place Is workshops lined up through August and September I expect to have even more to share soon; hopefully before this latest snap of warm weather runs out!

Suck My Ball Sack
Suck My Ballsack, July 2012, 50x50cm, Acrylic on Canvas
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Another New Year

3/1/2012

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Since completing the MA in October, the last couple of months of 2011 were spent in an enjoyable rediscovery of acrylic on canvas. As the MA was focusing on Three Dimensional Design, I couldn’t justify the time to work on 2D pieces for a couple of years but have completed two painted portraits since the end of the course. The first of these, titled ‘Lainee’ is from a photograph of the God Daughter of a colleague and was commissioned following a series of sketches and negotiations. The second (with a working title of ‘Hexagons’, which seems to have appropriately stuck) is a personal impression of someone with a background in colour chemistry and was generated as a low cost (but high labour) Christmas present! It’s been a refreshing change to get back to painting, and it’s reminded me how much value I place in having a broad skill set with regard to my practice. Though I’m not planning to focus exclusively on painting, I’m certainly pleased to have the time to pick it up again and will now continue working to complete a series of paintings I started 3 years ago. One of these, ‘Bear’, can be seen on the Older Work section of this site and is developed from a series of sketches and photographs of Graffiti as recorded at the bottom of the Sketchbook Page.

In addition to the paintings, I have now managed (thanks to a friend still studying at MMU!) to cut a third series of boards in relation to the I Remember and This Place Is workshops. The I Hope To See boards have been made with younger participants in mind and I hope soon to use them with young people in Hulme to finish off a project which will in essence have generated a multiple perspective portrait of the area from the points of view of those who regularly use it. The daughter of another friend kindly trialled them for me when I visited just before Christmas and her enthusiasm for the idea has given me a fresh boost of confidence with which to pursue the project, as well as a few images to use for illustrative purposes when submitting proposals.

Lainee - Dec 11
Lainee - December 2011
Hexagons - Dec 11
Hexagons - December 2011
I Hope To See
New 'I Hope To See' board in use
_I have learnt from experience that aside from access to facilities, the thing one misses most upon completion of a programme of study is the feedback and support of peers. With this in mind, I have been taking steps to set up a small group of people to regularly meet with the aim of facilitating a pooling of professional skills and knowledge which would provide motivation, support and social contact for those pursuing a creative practice in Manchester. There has been one meeting so far in November which went well enough for the second to have been organised for the end of January. The meeting will take place at MadLab, Manchester and details can be found on their website.

While I have at least been keeping practical work ‘ticking over’ since the end of the MA, the biggest cognitive challenge I have faced may come as something of a surprise, at least to those who know me. I have enrolled on an evening course to revisit and re sit GCSE Maths. Thankfully, it is with some relief that I have found myself actually quite enjoying the content and though it is not without apprehension that I look forward to the memory test of exams in the summer, it has certainly given me an opportunity to exercise a different part of my brain, albeit a rather underdeveloped part! Though the decision to sit the course is not completely random, the long term reasons for it are as yet not well enough confirmed to justify any further details at this stage and so for now I shall be content just to mention that I’m doing it!
I have been feeling somewhat apprehensive about 2012 as I have somehow developed the habit of assuming that each New Year must be better than the last. As the last few years have been very positive, it seems hard to imagine how 2012 could possibly live up to that and I have been assuming a degree of disappointment is inevitable. However, that’s clearly not a productive attitude and I have instead resolved to invest my efforts in ensuring that regardless of the as yet unknown content of 2012, I at least maintain, if not develop, those projects begun in earlier years which continue to display creative or social potential.
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    Glittermouse has a background in  visual arts and education. You can read more on the 'home' page of this site. 

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