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January 2015

29/1/2015

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January saw our first meeting for 2015, being the second of a revised bimonthly schedule and it was good to be back at MadLab proper, albeit still a ‘work in progress’ affair that saw us climbing slightly unfinished feeling stairs and avoiding the brick dust!
With three ‘core’ members present, it didn’t take long to get stuck into the chat! Kevin started things off by reminding us of a couple of his recent and ongoing projects; those of the Cave Painting work and the 53 Views project. Whilst the Cave Painting work, projecting and drawing inside pill boxes, is for now, as complete as creative projects ever are, 53 Views has been on pause while a bit of a refocus takes place. The initial concept for the work was to produce 53 photographs from a specific square window in Kevin’s flat (apartment number 53), to reflect the square Instagram format. This lost steam, however and the parameters are likely to evolve, permitting a greater variety of ‘views’. Retitled Windows this work would then encompass photos take from train windows as well as existing images from the flat and of other locations.
Kevin Linnane Cave Art
Kevin Linnane; Cave Art
Renate Wendel - Self Portrait
Renate Wendel; Self Portrait
Renate had been getting back into drawing with the Apple a Day series (See November 2014 CRITblog), work she has been continuing to a degree but which has also been overtaken by explorations in a few other creative areas. Some of this includes outcomes from life drawing classes, as well as sketches of musicians at various concerts. She’s also been reengaging with practical skills in the area of jewellery making, selling beaded and ceramic items at craft fairs. Whilst she has enjoyed this venture, it is unlikely to form a significant strand of future work as she explained that the ‘production line’ process did not appeal to her. This was something I could certainly identify with following my own experience of selling crafts and though Kevin suggested producing ‘limited edition’ ranges, Renate felt that once all the costs were factored in it was unlikely to ever be cost effective. At this point the conversation made James’ absence (due to the snow forecast) palpable and I felt sure he would have had much to contribute to that particular discussion!
Renate has also been making the most of access to a black and white darkroom at Start in Salford, where she has been volunteering, to revisit these skills. She shared a self portrait with us, as well as some photograms designed to function as bookmarks (she likes work to have a purpose, she explained) and talked about ideas for moving in to the area of contact prints. ‘Get yourself some good quality acetate!’ advised experienced photographer Kevin!

For my own part, I was able to share a new painting in the Serenity Series as well as a minor evolution in my own perception of this work; the question of whether or not ‘art’ that has been identified to have some therapeutic value (as opposed to enjoyment, as previously discussed) to the creator can really be classed as ‘art’. This led on to some analysis of the source of such perceptions, traditional academic views of this as part of arts educational institutions and established or well known examples in contradict of such dismissal, Tracy Emin and Sarah Lucas amongst others.
Annabeth Orton Heart Sutra
Annabeth Orton; Heart Sutra; Go Beyond
As I have recently been in the unfortunate position of being unwell and not in work, I have had time to be gently flexing some other creative muscles and so shared with the group a recent collation of old and new poems (I even read one out!) as well as the fruits of my other labours in the form of baking; a gugelhupf in this case! I explained that I find cooking a very soothing activity, as well as actually quite creative and this certainly fed in (no pun intended) to the whole ‘what is art anyway!?’ debate. I’d already responded to this by describing Scott McCloud’s suggestion that art is any human activity that cannot be directly related to a need to survive, (as Renate pointed out, you can survive by eating the berries from the bush but do you need to spend time and effort turning them into jam?) and it was equally relevant to earlier conversation about art as therapy; where does mental and emotional survival fit in to the definition and how does that support or refute each perspective? Renate had explained that her voluntary work brought her into contact with people who had actually been prescribed a course of creative activity to help treat various mental health conditions and it didn’t seem entirely random that our conversation had come at least in some respects, full circle.
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Return of the CRIT

24/9/2014

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Following our summer hiatus, we met this month in MadLab’s temporary home at New Federation House, currently managed by Castlefield Gallery. The primary aim of the meeting was to review recent feedback from CRITsurvey 2014 and make some key decisions on the future of the group to make sure it continues providing motivation, support and social contact for those pursuing a creative visual practice in Manchester.

Our main concern is that we want to continue to see regular involvement in the meetings; not necessarily huge numbers or the same people coming every single month, but enough to provide varied and meaningful feedback discussion for those who do attend. We had previously tried to achieve this consistent interest by running collaborative and research projects, one of which culminated in a group show, as well as hosting a series of speakers. Whilst these had been successful in many ways, it was noted that numbers were starting to drop off throughout 2014. Feedback from the survey and analysis in our discussion tonight suggested that aside from practical reasons like timing, this might be because the format had become a bit too formal and structured. We also felt that some people who had dropped in to see what we were about found it difficult to engage with a group who was already involved in a project spanning several sessions. The main thing we concluded was that due to our focus on these additional activities, we had started to run out of time to for informal critique on practical work; the very thing we originally set up to achieve. Without wanting to make accidental political references, it was unanimously agreed that the key to the ongoing success of the group was in going ‘Back to Basics’ and refocussing on this critical discussion as the primary function of the group.  One suggestion was to have less frequent but longer sessions, possibly meeting for a full day every 6 months; however it was decided that meeting for the same length of time but at only slightly longer intervals would be more practical. As such, we shall be moving to a bimonthly schedule. We hope this will allow those who wish to attend a bit more flexibility in meeting other commitments as well as feeling that they can still be fully active in the group, at the same time as giving everyone a bit more space between meetings to make progress on their projects or develop their practices.

We also plan to be less rigid in formatting any other activities. Whilst we intend to continue supplementing our critical conversation with events such as speakers, topic specific discussions and skills sharing workshops, we will arrange these in a less structured fashion on a month by month basis. The bimonthly move should also make it easier for us to organise things such as gallery visits at times outside of the established meeting pattern. We agreed to stick to the Last Wednesday of the month 7-9pm standard as it was generally felt that there was never going to be a time or day where everyone could be present anyway and there was not a significant bias towards any other specific option in the survey feedback.
We ended the discussion on a positive note and considering there to be ‘no time like the present’ to act on our new convictions, we then spent a bit of time looking at some new developments from those present! James Sharp has been developing an extensive range of distinctive textiles products that he sells at crafts events in and around the Greater Manchester area. He is very responsive to feedback from his customers and has recently developed a leather-bound book to supplement his art journals range.  He brought one of these to show us and we were pleased, but not surprised, to hear that they have been selling well from his stall. These are also available from his online shop.
Photographer and artist Kevin Linnane shared a new series of images generated in WW2 pillboxes. Titled Cave Art, these photographs document existing features inside the structures such as graffiti, combined with his own interventions; charcoal drawings referencing nude studies by various masters. These  initiated conversation about the relationships between the intended function of these spaces and those who have used them, both in a defensive role and as a hiding place for less formal, non-military secrecies. The act of voyeurism is highlighted through inclusion of architectural details such as the windows and gun ports as well as the subject matter of the graffiti and the nude studies.

Kevin Linnane
Kevin Linnane - Cave Art - Digital Photograph
Rainbow Buddha
Annabeth Orton - Tamana Buddha - Acrylic on Canvas Board
I also shared some developments in a tangential series of paintings, outside of my previous work in a Social Practice discipline. Currently under a working title of The Serenity Series, these paintings are developed from the Peaceful Places collection of photos that I took in China and Japan during 2013. The discussion these generated was less around the practical or physical features of the pieces but more about my own feelings of self-indulgence around working on pieces that didn’t seem to have as much function as the socially orientated projects. Whilst Kevin felt he could identify with having experienced this, James and Renate questioned the origin of those preconceptions and argued that the act of producing a creative outcome could be at the same time enjoyed by both the artist and the audience. A perfectly reasonable statement, yet not one I have fully resolved into my own practice!
Given our agreement to adopt a bimonthly format, the October meeting will be skipped and we will next get together in November. We'll also give December (our December meetings tend to be all about the mince pies anyway!) over to more festive engagements and shall then begin a new year of alternate months in January.  The January meeting will be the first in the fourth year of CRITgroup and it is with optimism in relation to our refocused intentions that we look forward to welcoming many new and old friends to our conversations. We hope you will be a part of it!

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CRITsummer

28/8/2013

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CAC Invite
We have had a quiet couple of months at CRITgroup as people take time out to make the most of the summer, both in creative and other senses.

I have had an especially exciting time of it, though I don’t want to give too much away as I shall be giving a talk on my recent PlaceMaking project work in China at the next CRITgroup on September 25th. While you can see this work on my website, it will also be briefly on display at the Chinese Arts Centre from the 10th to the 14th of September with a late night opening on Thursday the 12th; CRITgroup members are of course warmly invited to the opening!


TPI Summer 2013
One project I will share that I have also added to over the summer is This Place Is. A public project launched last year, it aims to build up a physical record of personal responses to a variety of places, starting from the UK and hopefully including places all over the world. I was in a good position to increase the global reach over the last couple of months and you can see my own use of the project booklets by visiting the This Place Is Summer 2013 gallery.


elephant parade
Christine Wilcox-Baker has been getting political with a public art exhibition designed to raise public awareness and support for Asian Elephant conservation. ‘Elephant Parade’ is coming to Manchester before stomping off all over the country and arriving in London next summer. Christine has designed and painted one of the elephant sculptures titled ‘Stop the traffic’ that is the size of a real baby elephant! You can see it, at the Trafford Centre until the 12th of September.


Sharp Art Workshop
James Sharp has also been keeping busy attending crafts fairs and running workshops. You can find details of his activities in textiles, artists’ books and journal keeping on his blog.

As mentioned, the next CRITgroup will be on September 25th, when I shall be transporting you overseas with an investigation into Chinese approaches to public spaces. In October, we will be getting back up and running with our second collaborative project; Crafting by Committee.


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A Summer Lull

26/6/2013

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Picture
It seems Summer is well and truly underway (despite the weather!) with many people on holiday (or conversely being so creative they were too busy to make it!) I do however; have a couple of recent updates of my own that I shall share before including news from a few of our other regular attendees.

On the 15th of June, I was delighted to take the PlaceMaking and This Place Is workshops that I have been developing along to the Magpie Thunder Bureau Pop Up as part of the Barnaby Festival. In the morning, we took the PlaceMaking boards on to the streets of Macclesfield and gathered some thoughts on local perspectives, especially in light of the recent approval of some major town centre redevelopments. This took a slightly new approach to previous sessions and rather than working as part of an existing workshop group, we approached Saturday shoppers and arts trail visitors. We got some interesting conversations going too, once we had persuaded people that we weren't trying to sell them anything! In the afternoon, I ran a This Place Is demo session back at the Pop Up Shop and rather than asking for completed booklets there and then, they were made available for the duration of the festival for visitors to take away and return at their leisure. If you are interested in participating yourself, you can request a booklet online and find the return address on the project page.


On a bit of a tangent, I additionally have four paintings on display until August 11th at Nexus Art Café as part of their Happiness exhibition, along with Renate Wendel who also has work in the Malgras|Naudet Summer Show (until the 28th). Renate has been working on some still-life drawing & sketching and is currently in the initial stages of venturing into portraiture by revisiting the theme of music & musicians, a recurring strand in her work. Although she is experienced in life-drawing, drawing and painting portraits is a new venture and she is experimenting with drawing on old photographs, both studio portraits and live rehearsal/concert shots, and is beginning to explore them further through drawing, painting & collage.

Christine Wilcox-Baker will also soon have some more updates for us on her contribution to the Elephant Parade and has shared these photographs of a recent public art project she has worked on.

James Sharp continues to develop his range of textile coverings for notebooks and has started using some new tweeds from his re-upholsterer.  James finds they make excellent slip covers for various books because they feel good as well as being pleasant to work with. James has also kindly offered a 20% discount on his workshop fees to anyone affiliated with CRITgroup. You can find more information about these and links to make bookings or contact James on his website.

The next CRITgroup will be on July 31st and I shall be handing over to Christine for the update as I shall be in China! I very much hope to have a lot more to say about this in my talk scheduled for the September meeting!

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May 2012

24/5/2012

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Picture

Danbo is tempted by the fresh summery snacks...

It was quite a small group this month but no less varied for it. Tammy Leigh, James Sharp and I started off chatting informally about craft stalls before I’d even really noticed we were properly ‘in session’! We mostly discussed the reasons behind lower than expected sales at local art fairs and festivals and tried not to point the finger too exclusively at the recession without being more widely questioning. We all agreed that there was a tendency for such events to attract visitors who have no intention of buying anything at all, but while these may not be immediately lucrative opportunities they still present a useful method of raising interest in work. This interest can later manifest as online sales or interest in workshops. Additionally, we talked about the benefits of making whilst supervising a stall to be time efficient and more importantly provide talking points and interest for potential shoppers. This can also be an effective way of demonstrating that the work is genuinely hand made. The potential for selling and running workshops simultaneously raised both pros and cons; a problem if it makes you inaccessible to make a sale but of benefit if you can make sales relating to the workshop content (such as craft kits, etc.)

James Sharp shared three new journals with us today, a Cook Book (with pages for notes and recipes), a Stuff Stash (a book-based format of an existing textile product; for keeping notes and loose pages together) and a Lazy Journal (for those who enjoy the aesthetics of his work but are not inspired to generate their own content!). James will be giving a live painting demonstration at the Creative Recycling Gallery this Saturday (26th of May) as part of the Chorlton Arts Festival and will have a stall at Much Wenlock in Shropshire on the following Saturday (2nd of June).

James Pashley
then introduced us to the newest member of the group in the form of Danbo (see above!); a card model robot who will be helping us keep up to date with James’ imminent adventures in Japan by posing for a series of photographs for section headings on the new (and rapidly improving) instantpash site (link soon). I then spent the next 10 minutes working with Dambo on a series of glamour shots and completely failed to support James in explaining our recent collaboration to the others!
The other work James brought along was the latest development in a project which we have started that references the writing of Mitsuri Senda who discusses ‘circulatory play systems’ when designing playgrounds in urban spaces. Senda summarises this in a series of 7 points, which our project looks at applying to Manchester City Centre by identifying existing environmental features with the potential to be used in such a play system.  Ultimately, we aim to design a route for use by visitors to Manchester, though we are still in the early stages of this.


Picture

The group view the plans so far

One key consideration raised was the need to be aware of health and safety restrictions, though it was also recognised that this was being deliberately set to one side temporarily in order to avoid prematurely capping the creative stages. It was also argued that allowing children exposure to supervised and calculated risk is an important part of facilitating healthy development and that opportunities to encourage outdoor play could be seen as especially responsive to recent news items regarding a lack of exercise and over use of screen based media. The next big challenge facing us in this project is the actual design of the map as we have a proposed route and a suggest list of features, all of which tie in with the source reference to Senda
Picture

Danbo notes the next CRITgroup meeting while the others look at maps

To conclude the evening, I briefly shared the final draft of the proposed This Place Is booklet which has been developed in response to feedback from the group at several previous meetings. That is now ready to be printed and it would not have been half as robust an outcome if it had not been for the input and the suggestions from CRITgroup sessions so it was good to be able to share it one last time before sending it off.

Finally, I invited the group to the ‘opening’ event of a show I am hanging tomorrow at the Nexus Art Café in Manchester’s Northern Quarter; though the work will be up from Friday (25th of May), the actual Private View isn’t until the end of June which coincides with the opening of the Nexhibitionists show, in which I will also have some work. The show, titled I Hope To See presents the conclusion of a series of workshops with various community groups in Hulme.

The next meeting is June 27th and you can find details of months up to October including guest speakers on the home page.
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    CRITgroup

    _Creative Reflection and Investigation Talk Group is an informal network for local artists and designers. The group meets every other month aiming to facilitate a pooling of professional skills and knowledge to provide motivation, support and social contact for those pursuing a creative (visual) practice in Manchester.

    CRITgroup is an initiative organised and managed by Glittermouse.

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