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CRITsummer

28/8/2013

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CAC Invite
We have had a quiet couple of months at CRITgroup as people take time out to make the most of the summer, both in creative and other senses.

I have had an especially exciting time of it, though I don’t want to give too much away as I shall be giving a talk on my recent PlaceMaking project work in China at the next CRITgroup on September 25th. While you can see this work on my website, it will also be briefly on display at the Chinese Arts Centre from the 10th to the 14th of September with a late night opening on Thursday the 12th; CRITgroup members are of course warmly invited to the opening!


TPI Summer 2013
One project I will share that I have also added to over the summer is This Place Is. A public project launched last year, it aims to build up a physical record of personal responses to a variety of places, starting from the UK and hopefully including places all over the world. I was in a good position to increase the global reach over the last couple of months and you can see my own use of the project booklets by visiting the This Place Is Summer 2013 gallery.


elephant parade
Christine Wilcox-Baker has been getting political with a public art exhibition designed to raise public awareness and support for Asian Elephant conservation. ‘Elephant Parade’ is coming to Manchester before stomping off all over the country and arriving in London next summer. Christine has designed and painted one of the elephant sculptures titled ‘Stop the traffic’ that is the size of a real baby elephant! You can see it, at the Trafford Centre until the 12th of September.


Sharp Art Workshop
James Sharp has also been keeping busy attending crafts fairs and running workshops. You can find details of his activities in textiles, artists’ books and journal keeping on his blog.

As mentioned, the next CRITgroup will be on September 25th, when I shall be transporting you overseas with an investigation into Chinese approaches to public spaces. In October, we will be getting back up and running with our second collaborative project; Crafting by Committee.


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Creative Whispers - Response 2

28/2/2013

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Picture
Christine reveals her illustrative responses
Tonight we started off with a bit of housekeeping and discussed the outcomes of a meeting I had with one of the directors of MadLab about potentially arranging an exhibition of the Creative Whispers work. As expected, cost is going to be the main factor in deciding how long for and when we want to do anything but aside from sending me back with a new list of questions it seems we are still looking likely for getting something organised in the near future. Once we have agreed dates (and how we will pay for it!) then we can start discussing the finer details of organisation. We were also pleased to welcome back Jo Scorah who shared her textiles work with us last October. 

We were of course keen to get on to sharing the second round of responses for the Creative Whispers project and started with James Sharp, volunteered to go first in his absence! James had taken my photographic responses to Irena’s starting point and had interspersed prints of the images with prints of his journal pages in to a bound, textile covered book.

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David shares his interventions in Irena's found book
We also looked at photograms from Irena, rubbings from Kevin, manipulated photographs from Shirley, Japanese additions to a found haiku book-come-photo album from David, Illustrations on canvas from Christine, a developed conceptual ‘object’ from Renate and finally a mixed media drawing from myself. Jo took away some prints that Shirley had made in response to Renate’s original acrylic on canvas starting point and will join in with the project in a ‘branched’ thread!

This is really just an overview and you will be able to see more of these over the coming weeks as I get sent images with which to update the Creative Whispers project pages. We finished the discussion on the project with many agreeing that they have found the opportunity to take some risks and be a bit experimental very refreshing. While we may not all have produced work that we are necessarily happy with in a way that we would normally associate with producing work, we have certainly appreciated the stretch of being kicked from our respective ‘comfort zones’!

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Glass and Ceramic Transfer by David Hammond
As we managed to finish with a bit of time spare, we were delighted to hear more from David Hammond, a mature student now in his third year of a BA(Hons) in 3D Design at MMU, who shared some of his recent work with us. We discussed some photos of his work in glass; sculptural pieces that make use of ceramic transfer techniques to involve 2D drawings, photographs and collages of modern urban architecture in a spatial exploration. We discussed the link between the materials and the subject matter being closely related to David’s inspirations; the interaction between the buildings and the environmental features around them such as reflections and negative spaces. The glass, it was agreed, is a medium that naturally lends itself to play with light as well as reflecting (no pun intended!) the actual building materials of the architecture.

We are now looking forward to March, when we will be sharing the second ‘layer’ of responses as it gets increasingly complicated to pass on a piece without it going back to someone who has already worked on it! In addition, Christine Wilcox-Baker will be giving a much anticipated talk on her sculptural work relating to food plants and gardens! This seems particularly appropriate as we move into Spring; there’s certainly a lot of new creative growth sprouting about us; check back next month to see if it’s started blossoming!


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Jo Scorah and MidConversation

1/11/2012

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Jo Scorah
October‘s CRITgroup welcomed the long-anticipated Jo Scorah to present her work. Yet another multi-functioning creative practitioner, Jo was originally a dress designer before completing a degree in embroidery in 2004 and then moving on to an MA in textiles in 2008. She also runs a graphic design company but it was her sculptural textiles that she shared with us this evening. With a practice in this area that historically revolves around the body, this evolved during her explorations on the MA into far more sculptural pieces.

She employs an interest in mark making through stitch (amongst other methods) to bring textural detail into a series of works which investigate themes of transience in terms of homelessness or the need for refuge, particularly citing this in the context of military conflict. She draws upon her Libyan family background to inform this and also shared with us photographs taken of army encampments in Israel during the Lebanese war. Her sculptures realise aspects of this by referencing physical methods of carrying and housing personal belongings during such crises; soldiers bags, tents and temporary accommodation.

Much of her works exist both in and beyond the dual camps of garment and sculpture and she prefers to describe her practice as ‘sculptural clothing in an ambiguous way; 3D works of art that could be used in performance.’ Many pieces are both displayed in a gallery and worn in videos or photographs and her use of materials as well as the inclusion of the model invite the audience to consider the relationship between the external surface textures and the ‘refuge’ of the interior. She then uses features such as boning to create structure in the garments forcing the body into awkward positions which then cause us to question just how comforting the promised refuge can really be.

This dialogue between the internal and external is also used as a metaphor for conflict itself, as in ‘Bubble’, her MA show piece which references the Middle East conflict as ‘a bubble fit to burst’. Where these pieces are worn in performance, they frequently depict the model as inside the bubble, trying to escape from it.

Icarus
Susie MacMurray and Jo Scorah, Icarus
Refuge
Jo Scorah, Refuge, Wall mounted garment
Refuge
Jo Scorah, Refuge, Worn by model
Bubble
Jo Scorah, Bubble
In July of this year, Jo collaborated with Susie MacMurray on a commission for the WWF 50th Anniversary Show Pandamonium in Hyde Park. Their piece Icarus, reflected on the environmental themes of the event by invoking “the cautionary tale of the dangers of over-reaching ourselves” and comprised a wearable sculpture formed from a harness and a train of ostrich feathers threaded into wire mesh. It was sold at auction for £10,000. She is now developing the technical aspects of this piece by knotting leather thong through wire mesh in a similar way to produce an almost lace like aesthetic and is working towards producing a head piece for exhibition.

Tucked into the schedule at the last minute, we still managed to make time to hear next from Lucy and Liz from Manchester based artists’ collective MidConversation. They came along to share with us their recent installation as part of the Free for Arts Festival, during which they took over an empty shop space in the Northern Quarter of the city and turned it into a temporary open studio. This installation; Open, was primarily an interactive piece and so was constructed in the space for the duration of the festival with the express intention of involving volunteers and passers-by in the creation. The ‘finished’ piece was only up for two hours at the closing event on Friday evening and featured a series of hinged pyramid shaped boxes which were designed to be moved, manipulated and reconstructed by the audience.

Open
MidConversation, Open installation
Lucy, MidConversation
Lucy demonstrates an object from Open


Having graduated last year, this is just their second project working together (they recently completed a piece in the textiles gallery at MOSI) but have found that operating as a collective enables bigger projects to be realised than working alone. As a result, their experience of the Open installation has been very positive and despite an initial moment of discomfort when it became time to ‘let go’ and allow the participants to interact with the piece, they soon found people enthusiastically manipulating the shapes in unexpected ways. Following on from the piece, the objects will now be used in a stop motion music video and it has been proposed that they might be utilised as design objects such as book cases and tables. Oh (I almost forgot!), and I will also be collaborating with the group on November the 12th, through an urban intervention with the Open objects documented with the Placemaking boards, bringing in an additional element of interaction.

Om nom nom...
Hallowe'en Biscuits
Through an unprecedented feat of focussed concentration, despite all that content, we still had time for additional discussion (and we hadn’t yet run out of Hallowe'en biscuits) so James Sharp shared with us a few developments to his gift card holders and textile journals. Christine Wilcox-Baker also agreed to make a presentation of her work to us early in 2013 and we decided that next month will be set aside to revisit websites and online promotion as well as to have our first proper discussion about planning a CRITgroup collaboration.


So that concludes my summary for October 2012. Next month will be the 12th meeting which sort of technically makes it our birthday; however you will see I have actually listed December as the ‘official’ 1 year marker. This is because our first meeting wasn’t at MadLab so December will be our 12th meeting in the space and also because it seemed like a good month for a bit of a knees up. It’s then onward and upward into 2013 for lots more Creativity, Reflection, Investigation and Talking! How time does fly!


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First Meeting

2/11/2011

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The first Meeting of CRITgroup got off to a good start with six people attending. James Pashley got the ball rolling by sharing his recent investigations into  play environments. As a landscape design graduate with a new-found direction in 3D Design, his work looks at how play could once again be encouraged in the streets by suggesting structures and interventions for urban environments which would tempt both children and adults out of the car and back into enjoying the journey on foot. He spoke about how his work had been focusing on the research for a while but that this was now shifting back to a more project based approach and discussion then moved on to how our perception of environments affects our use of space.

Tammy Leigh then shared some photos of her hand made jewellery. The group agreed that she deserved to be far more confident in sharing them, as there were some genuinely exciting pieces involving knitting with wire. The group shared some ideas for promoting the work and the importance of wearing your own pieces when at a public event such as a stall or workshop!

John Quinn, sculptor, spoke with enthusiasm about his recent rediscovery of material properties since occupying a space at Cow Lane Studios in Salford, following a long break from making. Photos of his work conjured a discussion of tension and form and he spoke about the benefits of working in a studio space, especially when producing large scale pieces.

Kevin Linnane, photography tutor and postgraduate student, presented his recent explorations of Modernist views of cities, through photographs of Coventry. He discussed an interest in the myths of and interactions with cities and spoke about how his work had developed from an earlier body of work concerned with the location of an urban Green Man. This brought the topic of conversation back on to a discussion of our environmental perception and how this can affect the lives of city residents.

James Sharp
then shared some examples of his textiles pieces, especially a collection of art journals titled Bibliophilia. Though the journals are designed so that they can be used as diaries or sketchbooks, many members of the group felt that they were enjoyable just to have as objects too. James also brought along some examples of his other work including the Stuff Stash, a textile wall hanging with additional capacity to store or display household items. This brought the discussion on further to making work commercially viable and James especially recommended using online methods to make sales.

I then tried to wrap up with (what I hope was) a brief summary of my recent practice and how I was hoping to develop my work following the completion of the MA. I especially benefited from sharing one idea I had been mulling over; that of a series of blank template books which would require users to research and share aspects of their local area. It was suggested that instead of producing multiple copies that it might be successful to have one book with several sections which could better facilitate a sharing of the content.

A very successful first meeting, but we did feel that the venue was a little noisy, so not to be ungrateful to our hosts at Odder Bar, it will be my job to hunt out an alternative space for the new year (we're skipping December as too many people have other commitments!)

Check back in January!
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    CRITgroup

    _Creative Reflection and Investigation Talk Group is an informal network for local artists and designers. The group meets every other month aiming to facilitate a pooling of professional skills and knowledge to provide motivation, support and social contact for those pursuing a creative (visual) practice in Manchester.

    CRITgroup is an initiative organised and managed by Glittermouse.

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