The first Meeting of CRITgroup got off to a good start with six people attending. James Pashley got the ball rolling by sharing his recent investigations into play environments. As a landscape design graduate with a new-found direction in 3D Design, his work looks at how play could once again be encouraged in the streets by suggesting structures and interventions for urban environments which would tempt both children and adults out of the car and back into enjoying the journey on foot. He spoke about how his work had been focusing on the research for a while but that this was now shifting back to a more project based approach and discussion then moved on to how our perception of environments affects our use of space.
Tammy Leigh then shared some photos of her hand made jewellery. The group agreed that she deserved to be far more confident in sharing them, as there were some genuinely exciting pieces involving knitting with wire. The group shared some ideas for promoting the work and the importance of wearing your own pieces when at a public event such as a stall or workshop!
John Quinn, sculptor, spoke with enthusiasm about his recent rediscovery of material properties since occupying a space at Cow Lane Studios in Salford, following a long break from making. Photos of his work conjured a discussion of tension and form and he spoke about the benefits of working in a studio space, especially when producing large scale pieces.
Kevin Linnane, photography tutor and postgraduate student, presented his recent explorations of Modernist views of cities, through photographs of Coventry. He discussed an interest in the myths of and interactions with cities and spoke about how his work had developed from an earlier body of work concerned with the location of an urban Green Man. This brought the topic of conversation back on to a discussion of our environmental perception and how this can affect the lives of city residents.
James Sharp then shared some examples of his textiles pieces, especially a collection of art journals titled Bibliophilia. Though the journals are designed so that they can be used as diaries or sketchbooks, many members of the group felt that they were enjoyable just to have as objects too. James also brought along some examples of his other work including the Stuff Stash, a textile wall hanging with additional capacity to store or display household items. This brought the discussion on further to making work commercially viable and James especially recommended using online methods to make sales.
I then tried to wrap up with (what I hope was) a brief summary of my recent practice and how I was hoping to develop my work following the completion of the MA. I especially benefited from sharing one idea I had been mulling over; that of a series of blank template books which would require users to research and share aspects of their local area. It was suggested that instead of producing multiple copies that it might be successful to have one book with several sections which could better facilitate a sharing of the content.
A very successful first meeting, but we did feel that the venue was a little noisy, so not to be ungrateful to our hosts at Odder Bar, it will be my job to hunt out an alternative space for the new year (we're skipping December as too many people have other commitments!)
Check back in January!
Tammy Leigh then shared some photos of her hand made jewellery. The group agreed that she deserved to be far more confident in sharing them, as there were some genuinely exciting pieces involving knitting with wire. The group shared some ideas for promoting the work and the importance of wearing your own pieces when at a public event such as a stall or workshop!
John Quinn, sculptor, spoke with enthusiasm about his recent rediscovery of material properties since occupying a space at Cow Lane Studios in Salford, following a long break from making. Photos of his work conjured a discussion of tension and form and he spoke about the benefits of working in a studio space, especially when producing large scale pieces.
Kevin Linnane, photography tutor and postgraduate student, presented his recent explorations of Modernist views of cities, through photographs of Coventry. He discussed an interest in the myths of and interactions with cities and spoke about how his work had developed from an earlier body of work concerned with the location of an urban Green Man. This brought the topic of conversation back on to a discussion of our environmental perception and how this can affect the lives of city residents.
James Sharp then shared some examples of his textiles pieces, especially a collection of art journals titled Bibliophilia. Though the journals are designed so that they can be used as diaries or sketchbooks, many members of the group felt that they were enjoyable just to have as objects too. James also brought along some examples of his other work including the Stuff Stash, a textile wall hanging with additional capacity to store or display household items. This brought the discussion on further to making work commercially viable and James especially recommended using online methods to make sales.
I then tried to wrap up with (what I hope was) a brief summary of my recent practice and how I was hoping to develop my work following the completion of the MA. I especially benefited from sharing one idea I had been mulling over; that of a series of blank template books which would require users to research and share aspects of their local area. It was suggested that instead of producing multiple copies that it might be successful to have one book with several sections which could better facilitate a sharing of the content.
A very successful first meeting, but we did feel that the venue was a little noisy, so not to be ungrateful to our hosts at Odder Bar, it will be my job to hunt out an alternative space for the new year (we're skipping December as too many people have other commitments!)
Check back in January!
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